- current goings-on:
- July 2016: Vu Symposium, Park City Utah: Performance of both What Rough Beast Slouches? and Fleeting Conversations, plus a Paper Presentation: "Convergence of Set as an Overarching Formal Technique in What Rough Beast Slouches?
- August 2016: Toronto International Electroacoustic Symposium, Toronto, Canada: Performance and Paper Presentation "A Very General Technique for Automated Musical Decision Making"
- September 2016: International Computer Music Conference (ICMC), Utrecht, NL: Performance of What Rough Beast Slouches? and Paper Presentation of "RackFX: A Cloud-Based Solution for Analog Signal Processing".
- October 2016: Korean Electro-Acoustic Music Society Annual Conference (KEAMSAC), Seoul, South Korea: Paper Presentation for "Cloud-Based Analog Effects Processing as an Alternative to Analog Modeled Plugins".
Released: a small but powerful collection of SuperCollider extensions to control (in various hierarchical ways) the convergence and divergence of numeric data sets. Download here.
Led a workshop on building custom Max for Live software instruments @madelife on March 26, 2016.
Delivered a paper talk at SEAMUS 2016 (February 11, 2016), "On the Transvergence of Art and Idea: A call to compose the possibility of no music". Check out the PDF here
Making progress on two tech dev projects: RackFX (with David Jones), and a massively flexible SuperCollider sample-based synthesis library (with Ben O'Brien).
Updated Works page with new pieces, including What rough beast slouches? for 8-channel fixed media and Which inside are you out of? (pictured above)-- an installation, commissioned by the Communikey Festival 2015.